Makeup artists need to learn how to mix different chemicals to create moldable materials that are safe for close contact with skin. The miniature model was then scanned digitally and wrapped in the surface textures created by the modeler.Ī special effects make-up artist is part modeler, part sculptor, part painter, part chemist and part beautician. In "Episode III," for example, the special effects team figured out that they could create more realistic digital sets by first creating a detailed miniature model. Models are also used in different ways now. Įven with computing power, miniatures are still the most cost-effective way to create realistic sets and landscapes.
Interestingly, there were many more miniature models created for the most recent "Star Wars" movies than the originals ("Episode 1" had more models than "Episodes IV, V and VI" combined!). Modeling is often associated with old special effect techniques, like the miniature spaceships that roar by the camera in the original "Star Wars" trilogy.
They create miniature versions of large objects, buildings or entire sets.
Modelers are still a crucial part of special effects teams. For example, "Lord of the Rings" director Peter Jackson used actor Andy Serkis' movements to create the character Smeagol/Gollum. This technology records and captures real-life movement and then transfers it to the computer. For the most accurate replications of human movement, more and more computer animators are moving to motion-capture technology. Using mathematical algorithms, animators have developed hair that sways in the virtual breeze and clothing that rumples realistically when a character moves.Ĭharacter animation is a slow, painstaking process that requires incredible attention to detail and a deep understanding of natural human movement and facial expressions. Then specialized artists add realistic surfaces, skins and textures. The models are first created as wireframes that establish the underlying structure of a character or object. Teams of computer special effects artists create 3-D digital models of lifelike characters, realistic sets and vast landscapes. So how many different types of special effects artists are there and how do you break into such an exciting industry? Does it take a college degree or can you just work your way up? Read on to find out more.Ĭomputer animation is one of the most sought-after skills in Hollywood. After the T-Rex has had his snack, the makeup artists paint a gruesome wound on the hero (he lives, of course). When it’s time for the beast to grab the hero in his teeth, the animatronics team creates a giant mechanical puppet of the T-Rex’s head. Pyrotechnics experts set up controlled explosions that splinter tree trunks and branches as the digital creature crushes through them. Computer animators might create a digital Tyrannosaurus Rex that races through a forest. Most often, however, good special effects are a blend of both physical techniques and digital wizardry. But you might be surprised at how many old-school effects tricks are still used in movies, like precise miniatures, creative makeup and good old-fashioned dynamite. Computers have had a greater impact on special effects than any other tool. When we think of modern special effects, we tend to focus on computer generated, or CG, effects.
0 kommentar(er)
